'Creating Arda'
The world described by JRR Tolkien is both broad and nuanced, displaying a breadth of variety and a depth of detail rarely, if ever, seen in literature. The author’s tireless pursuit of a convincing ‘inner reality’ in his creation led him to delve into the history and cultures of his world, Arda, uncovering peoples, lands, adventures, and lamentations only ever known as vague hints or passing references by those who have read no more than the Lord of the Rings.
Tolkien’s hope, to provide a mythology for his beloved but legend-free England, was far more than a quest for exciting stories. It could only be realised by the handcrafting of an entire imagined world, wherein every ingredient – from the minutiae of regional flora to the dealings of illustrious cultures and characters – gains equal significance in its contribution to a convincing whole.
Many have presumed that Tolkien wrote his tales and then constructed Arda, the World, around them, in order to add a realism and sense of depth. But this was not the case. Professor Tolkien’s first creative joy was the composition of original languages, a path upon which he embarked instinctively from an early age. Several near-complete tongues were outlined during his lifetime, but no language can exist in a vacuum: as fellow-Inkling Owen Barfield observed, languages describe the cultures and priorities of their speakers, and so, using this principle, the worldviews of dead civilisations may be reconstructed although nothing more than the language survives.
Tolkien had formulated the related but independent Elven tongues of Quenya and Sindarin before he knew the peoples who used them, but he soon began to discover and identify the speakers – the Eldar and the Avari – and to find reasons for the sundering of their speech. This is how a technical linguistic division gave birth to story, as the difference between the former and the latter groups, the elves of the Great Journey and the ‘unwilling’ who never saw Valinor, came to be described. Tolkien’s mythology is founded on details such as these; its world was created from the bottom-up.
The Lord of the Rings is a great epic, impressive and often intimidating in its scale and scope, yet in reality it is only the final chapter of a much larger narrative: Tolkien’s vast tale of how first Valinor and finally Middle-Earth were rid of the Dark Lord, his lieutenant and creatures; of the efforts of Elves and Dwarves, Men and Hobbits, Eagles and Ents, Valar and Maiar; and of Illuvatar, the creator Himself, and how Melkor’s first rebellion in the singing of the Great Music of creation was ultimately turned to the glory of the One, as it always will be. This, in short, is ‘the grand scheme of things’; the vast tapestry in which the words of wisdom found in this volume are mere pinpricks. Not that pinpricks are ever insignificant: however small a single thread may be, the whole cannot exist without it.
Throughout his work and world, Professor Tolkien presented readers with a multitude of threads, any of which may be found and followed till heart’s content. Some readers delight in Tolkien’s willingness to deal with fundamental issues of good and evil, fear and courage, and pursue that thread; while others discover in Middle-Earth a love of living things and of goodness that endures, in contrast to our technological cleverness or progress without wisdom. Some find a critique of post-industrial society; others only a wonderful collection of heroes, villains, and many others who are neither. These threads interweave constantly, to the honour of the craftsman.
Such is the depth of Tolkien’s sub-creation, and such is the joy of the enthusiast who, on delving deeply, discovers that further exploration is consistently rewarded, that Arda now welcomes not only one-off visitors, but also those frequent sojourners who find in its sights, sounds and smells, a deeper sense of goodness and truth than could have been expected. Middle-Earth has illuminated our world; its truths are our truths.
[part of the Introduction, should this blog ever turn into a book]
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